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・ Johann Schalanda
・ Johann Schalk
・ Johann Scheffer von Leonhardshoff
・ Johann Scheibler
・ Johann Schein
・ Johann Schelle
・ Johann Scherk
・ Johann Schicht
・ Johann Schiltberger
・ Johann Schmeltz
・ Johann Schmid
・ Johann Schmidt
・ Johann Schneider-Ammann
・ Johann Schnitzler
・ Johann Schober
Johann Schobert
・ Johann Schop
・ Johann Schrammel
・ Johann Schraudolph
・ Johann Schreck
・ Johann Schroth
・ Johann Schröder
・ Johann Schulz
・ Johann Schwarz
・ Johann Schwarzer
・ Johann Schweigger
・ Johann Schweighäuser
・ Johann Schweikhard von Kronberg
・ Johann Schwerdfeger
・ Johann Schöning


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Johann Schobert : ウィキペディア英語版
Johann Schobert

Johann Schobert (c. 1720, 1735 or 1740 – 28 August 1767) was a composer and harpsichordist. His date of birth is given variously as about 1720, about 1735, or about 1740, his place of birth as Silesia, Alsace, or Nuremberg.〔Herbert C. Turrentine. "Schobert, Johann." Grove Music Online. Oxford Music Online. Oxford University Press, accessed November 7, 2013, http://www.oxfordmusiconline.com/subscriber/article/grove/music/25017.〕
==Career==

In 1760 or 1761, Schobert moved to Paris where he served in the household of Louis François I de Bourbon, prince de Conti. He composed many books of sonatas for his instrument, most of them with an accompanying part for one or more other instruments. Schobert also wrote harpsichord concertos, symphonies and the opéra comique ''Le Garde-Chasse et le Braconnier''.
In Paris, Schobert came into contact with Leopold Mozart during the family's grand tour. Reportedly, Schobert was offended by Mozart's comments that his children played Schobert's works with ease. Nevertheless, Schobert was a significant influence on the young Wolfgang Amadeus Mozart, who arranged a number of movements from Schobert's sonatas for use in his own piano concertos.〔H. V. F. Somerset, "Johann Schobert and His Influence on the Music of Mozart" ''The Musical Times'' 72 No. 1063 (September 1, 1931):785–789).〕
Mozart biographer Dyneley Hussey writes that it was Schobert's music that opened up Mozart to the possibility of adopting a poetic stance in his music. Citing Téodor de Wyzewa and Georges De Saint-Foix's work on Mozart, Hussey points out that the four piano concertos, "which are deliberate studies from Schobert", have a "typically Mozartian" stylized nature which is actually present in the Schobert works that he was emulating. Hussey concludes, "So we may regard Schobert, to whom Wolfgang owes so much of the 'romantic' element which appears in his work alongside of its 'classic' grace and vigour, as being the first of his real masters."〔Hussey, Dyneley. ''Wolfgang Amade Mozart''. New York: Harper & Brothers, 1928. p. 26〕
Schobert died in Paris, along with his wife, one of their children, a maidservant and four acquaintances, after insisting that certain poisonous mushrooms were edible.

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